القناع الديني في الرواية العربية من عام 2000إلى عام 2020 م
| dc.contributor.author | رماح رفيق شاكر قدسي | ar |
| dc.contributor.author | Rimah Rafeeq Qudsi | en |
| dc.date.accessioned | 2022-12-11T12:35:40Z | |
| dc.date.available | 2022-12-11T12:35:40Z | |
| dc.date.issued | 2020-08-12 | |
| dc.description.abstract | This study was obtained to analyze the mask issue, which was included and headlined under the concept of “religious mask in the modern Arabic novel from 2000 to 2020”. However, the researcher has included seven types of different fictional novels; two of which belong to the mask of ‘Prophet personalities” which was represented in the novel “ALWAH WA DOSSOR” by “Ahmad Khiry Alaomary”, “ANA YOUSEF ”by “Ayman Alatom”, and two models to the Islamic personalities mask were represented in the novel “when I met Omar bin Alkhatab “ by Adham Alsharkawi. Additionally, “SHEFRAT BELALL” by “Ahmed Khairy Alaomary”, accompanied by two models about the Sufism personality mask were included in “HARES ALESHQ ALELAHY” by “Adham Alabody” and “SOUFI w AL QASER” novel for Ahmad Rafiq Awad. one model of the Cristian personality mask was represented in the novel "AOSRAEEL" by Yousef zedan. the researcher studied the religious mask in these novels and deeply analyzed the shreds of evidence that hid behind the author’s mask in the political, social, economic, and moral life aspects. And lastly, this study aims to claim the author's role in the writing work that doesn’t merely include Excitement and Joy, but it exceeded to prove that there are authors who can speak out the truth even if they’re hiding behind their masks. The importance of this study, that it focuses on the personality of the religious mask, researching its techniques, pieces of evidence, and conditions that allow restudying the personality of mask in new fictional works. Being said that, this study covers only one subject which is “the mask in the modern Iraqis novel speech” by Abd Albaqi Alkhazragy. The researcher initiated to this study in a short way, then she divided it into two division influenced by the integrated approach that contains several approaches such as the historical, descriptive, and analytical. To suit the subject under discussion. Finally, the researcher finalizes the study to an important result which is: fictional literature is as important as other literature fields, because it employs the masking technique in different ways, thus Arabian writers have succeeded in that field by regarding historical figures as a mask for them, by following the same methodology as them for social, political, cultural and economic issues. And concludes the recommendation in studying the topic of mask more deeply and comprehensively, to appreciate this literary field, by analyzing its creativity. | |
| dc.identifier.uri | https://dspace.alquds.edu/handle/20.500.12213/7310 | |
| dc.language.iso | ar | |
| dc.publisher | Al-Quds University | en |
| dc.title | القناع الديني في الرواية العربية من عام 2000إلى عام 2020 م | ar |
| dc.title | Religious Mask In The Modern Arabic Novel From (2000 to 2020) | en |
| dc.type | Thesis |